#heinrich hofmann

[artthatgivesmefeelings]

Heinrich Hofmann (German, 1824-1911) Christ at 33, 1889 Full painting called "Christ and the young rich ruler" Riverside Church Baptism of the dead is referred to by Saint Paul in 1 Corinthians 15:20. The text requires careful reading in the context of the whole of Chapter 15 concerning the resurrection of the dead. The Corinthians seem to have had a custom that if a catechumen (someone under instruction but not yet baptized) died without baptism, a member of the community would receive baptism in his name. This was not sacramental nor did it affect the dead person but simply celebrated his intention to be baptized and the saving effect of his grace-supported intention. (God saves all who sincerely wish to be saved.) This custom was born of a belief in the resurrection. When Paul came to speak of the resurrection, therefore, and to calm the fears of those who were beginning to doubt it, one of his lesser arguments amounted to this: How can you express belief in the resurrection through baptizing the dead and at the same time not believe in it? All he is doing is pointing to an inconsistency in their thinking. He passes no judgement on their harmless custom. As time went on, certain heretics like the Montanists taught that baptism of the dead was sacramental and effective in saving the dead. This was condemned by the Church as heretical. Faith: Quest & Answers Father John V. McGuire, C.Ss.R, General Editor: Father Juan-Diego Brunetta, O.P. The Knights of Columbus Supreme Council

[icecreamwithjackdaniels]

Heinrich Hofmann (German, 1824–1911), "Christ and the Young Rich Ruler", 1889

[chiildoflibra]

[ leda and the swan, heinrich hofmann. ]

— oil on canvas, 1886.

the painting portrays a scene in greek mythology in which zeus takes the form of an injured swan to gain the affection of leda, a mortal woman who captured his attention.

the oblivious leda finds the swan and nurses it back into health. in the meantime, a bound forms between them, just as the god had intended. the swan continues to be leda’s pet, until in a fateful day, it reveals itself to be the king of gods and shares the couch of leda. on that self same night, leda lies with her husband, to later be pregnant with the twins castor and pollux, better known as the dioscuri, or the twins of gemini.

the painting portrays the moments before their union, in which the swan comes to leda not as pet, but as a lover.

more on my side blog.

[artandthebible]

Jesus in the Temple

Artist: Heinrich Hofmann (German, 1824–1911)

Date: 1881

Medium: Oil on Canvas

Few scenes from the youth of Christ are so well known or beloved as Hofmann’s rendition of Luke 2:46-47, Jesus in the Temple. Even Hofmann’s harshest critic judged this painting “the most pleasing among the many representations of the subject.” As with many of Hofmann’s paintings, the narrative is more significant than the representation of a historically accurate setting. Here, only the classical columns and Seal of Solomon on the chair suggest a temple location. Of greater interest are the figures’ characteristics, gestures, and ways in which they interact with the “precocious” country boy from Nazareth.

Hofmann portrays the elders as thoughtfully developed personalities that viewers can relate to and compare with their own spiritual sensitivity. The ethereal beauty of the twelve-year-old Jesus contrasts markedly with the more corporeal, yet exquisitely painted, elders of the Jerusalem temple. In his lifetime many people questioned Hofmann about his model for the boy Jesus. Hofmann responded, “When I read about Christ in the Bible, there arises spontaneously before my fancy a picture of Him which I try to retain and to reproduce - that is my only prototype.” This personal vision of the young Christ resonated with viewers.

[mioritic]

Heinrich Hofmann (German, 1824–1911)

"Der zwölfjährige Jesus im Tempel" (detail), 1884

Published in Adolf Brand (ed.), Der Eigene : Ein Buch für Kunst und männliche Kultur vol. 6, 1906

[holly-days]

The Visit of the Wise-men

Heinrich Hofmann (1824–1911)

[kane-turu]

[anonymocha]

Joke about how Marcus is probably jacked due to her carrying that bigass case everywhere

SPOILER VERSION UNDER CUT:

[vingler-mirror]

Pov: you've just finished reading 1.7 story

The Isolde one is made by Hackxor9 on reddit, and they inspired me to make the Kakania one so they can match. Also thought to make Marcus and Heinrich ones while I'm at it. They're all taking ibuprofen together <3

[fishareglorious]

manifesting this year's christmas special is greta hofmann all cozy on a armchair right next to a fireplace and it's a several hour long video of her just reading out loud the wikipedia synopses of various opera synopses in the same droning deadpan voice of hers in chapter 6 when she read tosca.

please bluepoch i won't ask for anything more

[sayyouknowmeanytime]

Source DFB App: 19.06.2023

[mysterious-secret-garden]

Heinrich Hofmann Georg Hahn - The Raising of Jairus' daughter.

[juergenfeytiat]

Offiziere dreier Schiffe

Auf Rottnest Island (West-Australien) Vor einigen Wochen hatte ich hier im Blog die Aufnahme von Schiffsoffizieren des Dampfers „Reichenbach“ der Deutsch-Australischen Dampfschiffs-Gesellschaft vorgestellt: Die Offiziere der „Reichenbach“ und Kapitän Peters‘ tragisches Ende Heute haben wir die Offiziere von drei Schiffen zusammen in einer schönen Gruppenaufnahme, wenngleich die Herren nicht…

[until-i-set-him-free]

Jesus is queer and lives in Los Angeles

Footnote to Howl by Allen Ginsberg / Christ Displaying His Wounds by Giacomo Galli / 9-1-1 s2e16 "Bobby Begins Again" / 'stigmata' definition from Britannica / rumors about jesus by Keaton St. James

9-1-1 s2e12 "Chimney Begins" / The Entombment by Peter Paul Rubens (fragment) / trans jesus by Keaton St. James

9-1-1 s8e03 "Capsized" / a sticker I got with socio-cultural queer magazine in Poland / Bible / The Passion of the Christ (2004)

9-1-1 s7e03 "Capsized" / Jesus at the Gay Bar by Jay Humle

Hannibal s3e03 "Secondo" script / 9-1-1 s7e04 "Buck, Bothered and Bewildered" / The Light of the World (St Paul's Cathedral version) by William Holman Hunt (fragment) + its Wikipedia

9-1-1 s7e05 "You Don't Know Me" / the cover of Berek by Marcin Szczygielski / Angels in America by Tony Kushner / Most Sacred Heart of Jesus / Oh My Heart by R.E.M. / Pygmy Love Song by Francis Bebey

Christ in Gethsemane by Heinrich Hofmann / Goodtime Jesus by James Tate / 9-1-1 s7e05 "You Don't Know Me" / Gethsemane by Dry the River

9-1-1 s7e04 "Buck, Bothered and Bewildered" / Cristo de la Concordia (Christ of Peace) in Cochabamba, Bolivia / Personal Jesus by Depeche Mode / 9-1-1 s7e06 "There Goes the Groom" + Christ the Comforter by Carl Heinrich Bloch / God in Jeans by Ryan Beatty

9-1-1 s7e06 "There Goes the Groom" / Christ the Consoler by Kateryna Kariukova / Deathbed by Relient K

Hammer by Dry the River / 9-1-1 s7e04 "Buck, Bothered and Bewildered" / Bible / 9-1-1 s7e06 "There Goes the Groom" / November by Keaton St. James

Something That May Shock and Discredit You by Daniel Mallory Ortberg / 9-1-1 s7e05 "You Don't Know Me" / 9-1-1 s7e10 "All Fall Down" / Making Pies by Patty Griffin / Touch Me from Spring Awakening (with a comment from Genius.com) / Footnote to Howl by Allen Ginsberg

[mdemn]

your god comes and he is ordinary and terrible.

andalucia - lisa marie basile / the unabridged journals of sylvia plath - sylvia plath / christ in gethsemane, heinrich hofmann, 1886 / here come the regrets - epik high & lee hi / a city like a guillotine shivers on its way to the neck - ilya kaminsky / portrait of the illness as a nightmare - leila chatti

[taniahylian]

A human using a wand?

So, there's a lot of especulation about how Schneider could have possibly used arcanum while being a human, and after the latests chapters I think we got some more clues.

First of, Greta Hofmann, who was (mostly) human and couldn't use arcanum normally, could use arcanum-enhanced bullets developed by Laplace by simply shooting her gun. These bullets could also have different effects, like the "sleeping bullets" she tried to hit Heinrich with. Now, while this is not new in r1999 (see Horropedia, Pavia and Tennant, for example), it's the first time we saw a human use an arcanum-enhanced weapon.

Then, we see in chapter 7 and Semmelweis' story that Laplace often records incantations/rituals in disks or other such materials for their personnel to use. This is useful, not only for humans, but also arcanists whose capabilities aren't enough to cast certain rituals, allowing pretty much anyone to use the arcane skills that are made into these devices.

This led the fandom to especulate that Schneider being able to cast arcane skills wasn't that much of a mystery; it was staring at us in plain sight. Druvis simply modified her guns, allowing her to shoot bullets with different effects, like Greta did, right? Well... not entirely.

While it's true that Druvis modified her guns, this on itself doesn't explain how Schneider was able to cast other, more complex arcane rituals, like the teleportation ritual, or conjuring up a ball of light that led her men through the maze under the Walden.

Not to mention, Vertin could literally "feel" Schneider casting an arcane skill, like she often does when other arcanists cast spells as well (remember, this is Vertin's signature superpower, so to speak), which wouldn't be possible if she was using something similar to the Foundation's soft disks, since the human who uses them isn't actually casting the incantation, but merely using a pre-recorded incantation. You can think of it as the difference between playing the piano and using a radio to play the recording of a piano. Completly different, right?

So... was Schneider actually a human who could cast arcane skills like arcanist do? Well... yeah. The game actually shows it to us, plain as day.

That's right, in Schneider's second incantation card we can actually see her holding a wand. Not only that, but when she uses this attack in-battle, we see her replacing her guns for a wand, and using it instead. It's a blink-and-miss moment, especially if you're playing at increased speed, but it's there nonetheless.

So... there's our answer. Schneider is a human who can use arcanum. Somehow. And the reason hasn't yet been explained to us. Or... has it?

According to this post in reddit, in the beta version Schneider was actually an "infected" in the Atlas. Now, at that point in time we didn't know what an infected even was, but now we have Semmelweis as the first infected, along with the explanation as to what an infected even is; a person who was bitten by a Beyond (vampire) and is suffering a permanent transformation which very few arcanist survive (no humans on record).

It's also important to note that in one of the narrator trails in ch1, he mentions that Schneider just "recovered from a serious illness". This doesn't necessarily refer to the Beyond decease, but could be a subtle nod.

Also, we know Semmelweis goes from being unable to cast any arcane skills to actually being pretty good at it once she completes her transformation, so that could be the explanation for Schneider's arcanist-like abilities... but would also mean her true nature didn't really change, as she still faded away in the storm for being human.

So anyways, what do you think? Am I going crazy? hahaha.

(Please Bluepoch make Schneider playable and give us answers or I'll keep making up dumb theories).